Arts News & Events

Arts week March 2010

Rossall Arts Week
Sunday 7th - Saturday 13th March 2010

Join us for a celebration of the Arts at Rossall!
There is a full range of events for all tastes and ages.

.

Everyone is welcome!  Bring your friends

.

For a full schedule of all events please click here....

.

If you wish to attend any of the events, please contact Mr Stuart Corrie on 01253 774201

MF Mad night

MF Mad night

MF Mad night

MF Mad night

MF Mad Night

A capacity crowd of 300 fought the elements to make their way to Big School last Saturday (7th November). The MF boys thrilled the audience with a feast of varied talent.
.
Hushed anticipation as the overture played turned into rapturous applause as the show opened with a nervous but colourful Mambo No. 5. This led to a hilarious sketch, MF Hospital where Dr Bob (Sinan Ozkoc), with the help of his nurses (Timo Zielinsky and Felix Simkovic), treated a cow (Dan Yanovskiy) and the train conductor with a one-track mind (Dan Petrov). The cow jokes were milked a little, but the conductor gained much symphony.
.
In a rare moment of culture, Scott Sloane (Viola) played Gossec’s Tambourin. Then, going from the sublime to the ridiculous, followed a highlight of the evening, The Sand Dance. James Wilson, Asa Watson and Josh Lee brought the house down with an accomplished performance as Wilson, Kepple and Betty.
.
The host for the evening, star of his own back yard, Mr Martin Metcalfe stole the show with The Mimic Man. Willing volunteers from the audience (!) showed off their impersonation talents. Many thanks must go to Messers McCafferty, Pryor, Maree, Parsons, Bradley and Emmett for being such good sports. To close the first half, we had a rather entertaining tribute to Madness: Our House! (in the corner of the square).
.
During the interval, the audience had the opportunity to enjoy an exhibition of MF art work.
.
The second half started with a moving performance of Hero. Comedy wasn’t too far away though as Toby Holder-Williams followed this with an incredible rendition of Rowan Atkinson’s The Headmaster. Watch out for Toby in the future!
.
The second moment of culture occurred with Mark Williams playing the piano. This was a splendid performance of Paparazzi. What is even more spectacular is that this was Mark’s debut performance in a concert, and that he is largely self-taught.
.
Scott Sloane and Sam Butler as The Two Ronnies for the Fork Handles sketch was also rather special. They both captured the spirit of the sketch perfectly and were extremely well received.
.
The House Tutors did not escape an act and entertained the crowd, complete with top hats, singing Bring me sunshine. This was a memorable performance, but probably for the wrong reasons!
.
We Will Rock You as a production number brought the event to an end and again the stage was a kaleidoscope of colour.
.
The real reason for this evening of entertainment was to raise money for Brian House Children’s Hospice and Donna’s Dream House. It is particularly pleasing to note that over £1000 has been raised. Work has already begun on the next event.
.
.

The Two Gentlemen of Verona

To download this poster click on the image

26th, 27th, 28th November 2009
7.30pm: Big School
Two Gentlemen of Verona

Last year Big School became the magical forest of ‘A Midsummer Night’s Dream’; this year we provided an Italian Riviera complete with beach huts and a café. Shakespeare’s ‘Two Gentlemen of Verona’ is, admittedly, not in the first rank of his plays yet it offers plenty of scope for comedy, near tragedy, love lost and love found.

.

The set was a riot of colour – orange warred with purple and lime green; raspberry pink upstaged pale blue – and the costumes echoed the mad rainbow of the set – even the dogs – acted superbly by Monty Holder-Williams and Dave Jones – had coats to match their masters. Sam Jones and Toby Holder-Williams played the comedians who comment on their masters’ foibles. The two gentlemen were played by Joe Ingham, a machiavellian Proteus who betrayed his loyal friend, Valentine, played romantically enough by Kym Nguyen. Julia, sensitively played by Claire Brodka, was Proteus’s betrayed love. Swie-Joo Liem played Silvia, the object of Proteus’s desire – her temper at the end was a fearsome thing to see. A motley band of outlaws – Vietnamese, Turkish, German, African and English - provided comic relief. Josh McIntyre provided a touch of the Mafia in his portrayal of Proteus’s father; Peter Green was an imperious Duke, and Leo Perini was the expansive - and flirtatious - host of his own Italian restaurant, Café Perini, complete with waiters and a jazz band.

.

All in all it was skilfully acted, expressively spoken and a delight to the eye. It may not be Shakespeare’s greatest play but as the Headmaster sagely averred, ‘Shakespeare’s least is better than most people’s best’. I am inclined to agree – the lively cast made something witty and touching of this lesser-known play.

.

Poetry Please

Poetry Please
October 2009

The English Department presented 'Poetry Please' to a packed Museum Theatre on Thursday, 22nd October. There were 40 different items from individuals and groups from year 7 to Upper Sixth.The range of poetry was wide from 'Albert and the Lion'  to Shakespeare's sonnets.

.

Most had learnt their contributions by heart - that was impressive in itself, but the audience was moved almost to tears at times, listening to a poem about the Holocaust, moved to laughter by the poem about Matilda who perished in a fire; there were some spooky moments - gothic poems set in mysterious lands, and some old poems made new like 'The Charge of the Light Brigade' read with such drama and pathos.

.

It was wonderful to see so many pupils involved and so many poems learnt by heart. Watch out for 'More Poetry Please' next year.

Portia in Dean Taylor's Merchant of Venice production

The Merchant of Venice
June 2009

A sunny evening and an atmospheric and sheltered garden at Rossall provided ideal conditions for Dean Taylor's company to present a well-spoken, very audible and somewhat formal version of The Merchant of Venice .

..
David Rex stood out as Shylock. His accent, expressive gestures, gait and body language combining superbly to make the whole character, a man fuelled by resentment. His rapport with the audience in his soliloquies about his Jewishness was first-class.
.

Peter Sundby, newcomer Tom Crook and Richard Calder as Antonio, Bassanio and Gratiano all produced fine performances and Brigid Lohrey and Bernadette Nuttall were delightful together as a calculating Portia and a spirited Nerissa.

.
Tony Bond and artistic director Dean Taylor hammed it up beautifully as Portia's ridiculous suitors and the music from Jenny Brierley and Eileen Guppy added spontaneity.

.
After Shylock's ruin the cast played out the denouement with pace and humour bringing an intelligent performance to a happy ending, both for the characters and for the appreciative audience. 

.

We hope to see Dean Taylor Productions back next year.